Setting voice over production rates

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By graffittistudio

Graffitti Studio

Voice over recording
Voice over recording

How to set your voice over rates. Part 1: Broadcast content buyouts

Setting rates for voice over work has always been a headache. How much should you charge your clients for using your voice? How much should you charge your clients for your studio facility? How much should you charge your clients for your time spent converting the audio in the appropriate format? How much should you charge your clients as an overall project rate?

We at Graffitti Studio have spent years of calculating and reached to an automated solution that forms our very competitive pricing with a click of a button. Still most talents and companies out there calculate their voice over rates manually and I hope these articles will help understanding the basic aspects that take part in the formation of voice over rates.

So what are the different aspects of the process you should have in mind when forming your voice over rates? Here they are:

1. Media Exposure- how the content you voice will be used and exposed?

Generally, there are 2 types of media content in regards of exposure: broadcast and non-broadcast. These categories are pretty much self-explanatory but still let me give you some examples:

Broadcast media is a type of media that is meant for a public broadcast and reaches a large audience through various media channels. Broadcast media is: TV programs, TV series, animation, TV and radio commercials, films, video games etc. What you need to know about setting your voice over talent fee and production rate when you voice a broadcast content is that your voice and your audio product are a subject to buyout compensation for a certain territory and a certain period of time. Usually, the buyout compensation for TV content is additional 30% to your voice over production rate (talent fee, studio recording, editing).

The buyout compensation for commercials could be:

- a flat rate per spot for unlimited use (all media channels, territory and a period of time)

- a flat rate per spot for limited use (media channels, territory and/or period of time)

- a % from the commercial spot voice over production fee for limited media channels, territories and a limited period of time.

What is important to know is that if you are the voice talent and the voice over producer at the same time, you should charge for buyout compensation both as a talent and as a producer.

Artists and producers' rights are stated in your local copyright legislation and you need to be familiar with it when you sell your services both as a talent and a producer.

If you are not a union member, you might consider becoming one. Unions usually set minimum fees for broadcast buyouts and copyrights which will help you with setting up your buyout fees. They can also collect the buyouts for you and provide protection and legal help if your talent or producer's rights have been violated.

Charging clients for a broadcast content usage is your legal artist and producer's right which serious clients are familiar with and treat with respect. It also legitimates you as a voice over professional and makes you stand out of the crowd.

Comments

khauler profile image

khauler 13 months ago

great

Mahmoud Taji 13 months ago

Would you happen to have an excel sheet or some kind of site script that a vo artist can enter the information in... by maybe tick boxes and drop down menus that can output an estimated calculation that contains broadcast content buyouts and what not.

I'd be using that tool constantly!

Thanks for the great article.

taji

graffittistudio profile image

graffittistudio Hub Author 13 months ago

Hi Mahnoud,

Such an excel sheet would be too custom for each market, talent, studio or agency. There are basic points to have in mind though when you form your voice over rates. Knowing all the basic aspects, you can evaluate them for yourself and come up with an excel sheet for your case.

Keep following this Hub, more info is on the way:)

Linda Joy 13 months ago

Thanks for posting! Looking forward to more :)

Robert 13 months ago

Very helpful info indeed...

Mike Harrison 12 months ago

I'm sure I speak for many VO people when I say this article is a breath of fresh air! Very enlightening. Can't wait to read more. Thanks so much!

graffittistudio profile image

graffittistudio Hub Author 12 months ago

Thanks, Mike. Just published another one. It's more business oriented. Hope you find it useful.

Johnny George 12 months ago

Always interested in learning all I can from everyone's perspective. Our economy has caused us all to rethink where to set our rates to be competitive and aware of the industry's changes. (Both up & down)

I'll be interested to follow this discussion.

Margo Davis 12 months ago

Thank you so much for addressing what is often the elephant in the room. As the internet has blown the business wide open, I look forward to the dust settling. Communication is the first step. I look forward to hearing more.

Stefania Lintonbon 12 months ago

Learned of this post via a facebook friend. This is most helpful. Thank you so much!

graffittistudio profile image

graffittistudio Hub Author 12 months ago

Thank you, Stefania!

I believe everyone has a unique knowledge and experience and sharing it can only help us all.

Toby Heslop 12 months ago

You say that V/O for broadcast should cost more as it's a public broadcast reaching more people. Nowdays the network content is used in the digital environment aswell and recieves nearly triple the views that the TV broadcast would recieve.

I believe the V/O rates should be standardized as usage it not just about broadcast anymore but about online aswell which is then seeded to multiple places.

graffittistudio profile image

graffittistudio Hub Author 12 months ago

Hi Toby,

Great comment! I agree. There's a need of a new point of view on levels of public exposure and a new standart. Still, there's a difference if the content is a corporate training video for internal use ot a viral marketing video that will circle around the internet and be syndicated to multiple locations, for example.

It's pretty often that the customer knows how to expose the content a this time but wants to leave their doors open and use it in various ways in the future. That's why when we negotiate voicing a project, we specify the media channels through which this content will be exposed and each media channel and territory are a subject to additional compensation, along with a period of time. The fees are very reasonable and give our customer a proof on paper that they can use this content the way they want. These agreements are open and the customer can always contact us back and gets another deal for another type of exposure. That is my experience.

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